A Perfect
Red, by Amy Butler
Greenfield, was an enjoyable tale of Spain's colonization of the Americas and
the political and social climate of Renaissance and Early Modern Europe. Yet,
as a commodity history, A Perfect Red is anything
but perfect. Greenfield’s tale is intriguing, as I had never thought about the commoditization
of color before. However, I was unclear to just what her subject of analysis
was – is it the color red? Cochineal? Dyestuffs in general? Also, Greenfield
seems to get lost throughout her own narrative, providing vibrant information
on the conquest of the Americas, Cortes, the Spanish monarchy, with color and
its production being virtually absent. In the other works we have read, I felt it
was easier to discern the causes of change; A
Perfect Red is so muddled that change is hard to pinpoint. Even when change
is evident, Greenfield does not adequately place it into context or even provide
thorough analysis.
While Greenfield does flirt with supply and demand, I
wish she would have provided more of an in-depth discussion of production and
consumption. In particularly, indigenous cultivation of cochineal post conquest
gets only a few passing mentions. Greenfield ties consumption of exquisite reds
to power and status, but I wish she would have built more upon this point.
My feelings toward this work are a bit similar to The True History of Chocolate; it
provides an enjoyable narrative where the commodity (whatever it may in fact
be) is devoid of any real personality and dynamism. Yet, Greenfield creates a
great drama surrounding the color red and its production, rife with conflict,
espionage, and deceit. I just wish Greenfield possessed a more focused
argument. As engaging as the book was, it does not fit my definition of
commodity history and I would avoid selecting this work for my course syllabus
revision.
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