One of the most interesting elements of From Silver to Cocaine is the variation between different
commodities in the power structure involved with them. It is fascinating how the
different commodities discussed have wildly different groups making the
decisions, from the cacao producers in Brazil to the United Banana Company. Overall,
however, I am not sure what the distinguishing feature is separating the essays
in this book and their focus on commodity chains from other commodity histories
that cover the entire life of the commodity. One thing of note is that the
essays focus much more on economics than many of the books we have read, a
feature of the commodity chain application that places importance on the
intermediate steps between a commodity’s initial production and the purchase of
a finished good.
The chapter on cochineal makes for an interesting comparison
with last week’s book. Whereas Perfect
Red focused on presenting a narrative structure, the chapter in From Silver to Cocaine is more focused
on the mechanics of the business. They largely seem to come to the same
conclusion, though the essay is much more limited and misses some of the finer
details that are presented in Perfect Red.
One of the important overall elements in this book was a discussion of largely agricultural
product production on an industrial scale – and why some products were produced
on a large scale while others were never converted to large-scale plantation
production. The most adamant element, however, and one that we’ve somewhat seen
from other books either because it covered them or because it lacked such
discussion, was a consideration of alternatives. Decisions are never made in a vacuum,
and generally they involve alternative choices. Understanding the options that
faced decision makers and the information they based their decisions on helps
explain things like why Bahia became a major chocolate producer, or why Brazil
never developed plantation style and scale rubber production. When commodity
histories forget to discuss these alternatives, they turn into narratives of
inevitability that make agency vanish and can lead to erroneous conclusions.
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